More verb.
Give me a little more slack on this XLR. Little more ... little more ... woof! That's good. Now point the speaker down over the side of the hole. There's a good chap.
Right, well ... you've caught us in the midst of a pretty typical dilemma for bands as unsuccessful and under-resourced as Big Green. You probably know what I'm talking about (because I sure as hell don't). You've come to expect us to scrape our way through every situation, living in squat houses and lean-tos, taking the cheap seats on pretty much any mode of transportation you can name. So what the hell - we're not some fancy-ass successful band that can afford racks of expensive gear. We've got a bunch of second-hand kit that's held together with masking tape ... because that's what our audience demands.
So, when you need reverb, and you don't have an expensive effect unit, or even an old, cranky one, what the hell do you do? I'll tell you what - you just lower a microphone down the tunnel to the center of the Earth that's in your basement and then pipe in your tracks. It's a little boomy, but it beats the hell out of the reverb spring in my antiquated fender twin. This isn't the first time we've had to go old school - and by "old school", I mean effects that are almost entirely environmental in nature, like getting echo by scrambling up a hillside and shouting real loud. (Just be sure to bring a jar with you so you can catch the echo.)
It's when you get into things like distortion that this approach gets a little tricky. Sometimes we just plug a guitar cord into Marvin (my personal robot assistant) and have him jump in place; though that ends up sounding a bit more like tremolo. I was thinking of asking Mitch to attach a leslie rotating horn to Marvin's head so that we can get a better B-3 sound while he's jumping up and down, but Mitch would probably just wave that suggestion off. (He's kind of picky when it comes to big ideas.)
Thing is, if you have a big empty space, or even a little one (like, say, between your ears), you can get a decent reverb effect. Tech tip for the day from Generation Reverb.
Right, well ... you've caught us in the midst of a pretty typical dilemma for bands as unsuccessful and under-resourced as Big Green. You probably know what I'm talking about (because I sure as hell don't). You've come to expect us to scrape our way through every situation, living in squat houses and lean-tos, taking the cheap seats on pretty much any mode of transportation you can name. So what the hell - we're not some fancy-ass successful band that can afford racks of expensive gear. We've got a bunch of second-hand kit that's held together with masking tape ... because that's what our audience demands.
So, when you need reverb, and you don't have an expensive effect unit, or even an old, cranky one, what the hell do you do? I'll tell you what - you just lower a microphone down the tunnel to the center of the Earth that's in your basement and then pipe in your tracks. It's a little boomy, but it beats the hell out of the reverb spring in my antiquated fender twin. This isn't the first time we've had to go old school - and by "old school", I mean effects that are almost entirely environmental in nature, like getting echo by scrambling up a hillside and shouting real loud. (Just be sure to bring a jar with you so you can catch the echo.)
It's when you get into things like distortion that this approach gets a little tricky. Sometimes we just plug a guitar cord into Marvin (my personal robot assistant) and have him jump in place; though that ends up sounding a bit more like tremolo. I was thinking of asking Mitch to attach a leslie rotating horn to Marvin's head so that we can get a better B-3 sound while he's jumping up and down, but Mitch would probably just wave that suggestion off. (He's kind of picky when it comes to big ideas.)
Thing is, if you have a big empty space, or even a little one (like, say, between your ears), you can get a decent reverb effect. Tech tip for the day from Generation Reverb.
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